The continuing adventures of the superpowered group, the X-Men, led by Professor Xavier, and based at his school for gifted students, as they try to foster good will for mutants like themselves, in a world where some people are born with extraordinary powers, and many ordinary humans fear them for it.
Atom Egoyan (THE SWEET HEREAFTER) directs this drama about a high school student who becomes wrapped up in an assignment. The project brings the young man back to his own origins and the death of his parents, but it also causes him to create a new identity.
At first, Clint Eastwood’s CHANGELING could appear to be following too closely in the footsteps of his earlier Oscar winner, MYSTIC RIVER, since both films center on a missing child. But while his previous film was based on a Dennis Lehane novel, CHANGELING carries a particular weight because it is based on a true story, and one that isn’t largely known. Angelina Jolie stars as Christine Collins, a single mother working in 1928 Los Angeles when her son goes missing. A boy is returned to her months later by the police, but she is shocked and disheartened when she realizes that the boy isn’t her son. Joined by a crusading pastor (John Malkovich), Christine battles for justice against the corrupt L.A.P.D. while she continues to search for her child. Eventually her fight against the cops lands her in a mental hospital, where she is surrounded by others with a similar plight. <br><br>At times, CHANGELING is incredibly difficult to watch. Jolie gives an authentic, anguished performance, and the on-screen tragedy is quite disturbing, largely because of its basis in reality. But Eastwood has crafted another Oscar-worthy film that is certainly worth sitting through, even if a tissue or two is required. Screenwriter J. Michael Straczynski had been best known for his work in science fiction (BABYLON FIVE) and graphic novels, but he makes an adept transition to feature drama with this film. Its unusual focus–on the victim and her struggle for justice, rather than on the criminal and the crime–brings further depth to the film. As always, Amy Ryan (an Oscar nominee for GONE BABY GONE) perfectly morphs into her role (this time as a prostitute imprisoned in the mental hospital), and the film’s many child actors are compelling to watch.
As its explicit title suggests, Kevin Smith’s ZACK AND MIRI MAKE A PORNO is a foul-mouthed and filthy film that probably isn’t fit for the very young, the very old, or the easily offended. But for those who enjoy Smith’s brand of humor, this raunchy but romantic comedy could be the perfect date movie (though perhaps not for a first date). With mountains of past-due bills piling up, Zack (Seth Rogen, KNOCKED UP) and his roommate/childhood friend Miri (Elizabeth Banks, SCRUBS) aren’t sure how they’re going to stay in their Pittsburgh apartment. But a chance encounter at their 10-year reunion gives them the idea to make a porn movie. When it comes time for the friends to do the deed, they realize that perhaps they’re more than just friends.<br><br>With all the talk of sexual positions and bodily functions, it’d be easy to say that Smith is hopping on the Judd Apatow bandwagon that has dominated the box office in the latter half of the aughts with KNOCKED UP and THE 40-YEAR-OLD VIRGIN, and ZACK AND MIRI even features a few Apatow alumni. But Smith perfected this schtick down back in the ’90s with CLERKS, when some of Apatow’s fans were still in diapers. ZACK AND MIRI is most reminscent of Smith’s own CHASING AMY; there are plenty of gag- or giggle-inducing moments, but Smith’s script is also surprisingly sweet. Rogen and Banks make a perfect couple, and the always hilarious Rogen could be Smith’s new Ben Affleck or Jason Lee.
Director David Wain (WET HOT AMERICAN SUMMER) capably mixes the saucy and the sentimental in the bawdy boys-to-men comedy ROLE MODELS. Stuck-in-a-rut Danny Donahue (Paul Rudd) and womanizing man-child Wheeler (Seann William Scott) work together promoting Minotaur energy drink to high school students. But when Danny’s girlfriend Beth (Elizabeth Banks) dumps him because he lacks maturity, his lashing out threatens to land him and Wheeler in jail. Their only way out is to act as mentors at Sturdy Wings, a Big Brother-esque organization run by reformed addict–and unrepentant flirt–Gayle Sweeny (Jane Lynch). There, Danny is paired with the decidedly dorky Augie (Christopher Mintz-Plasse) while Wheeler is the latest victim to take on foul-mouthed Ronnie (Bobb’e J. Thompson). After a bumpy beginning, both Danny and Wheeler connect with their kids over everything from sword-and-sorcery role playing to the chick-scoring power of the band Kiss. But when these two presumptive adults put their charges’ well-being in jeopardy, they face both jail time and the loss of everyone’s respect. With their own friendship on the brink of ruin, Danny and Wheeler–not to mention a little help from the magic of Kiss–must reach deep inside to prove to the world how responsible they can truly be. In the spirit of films like KNOCKED UP and THE 40-YEAR OLD VIRGIN, ROLE MODELS features a healthy dose of sharp humor and juvenile gags balanced by a feel-good message that growing up doesn’t mean giving up what makes each of us special.
In 2008’s MADAGASCAR: ESCAPE 2 AFRICA, the endearing New York City zoo animals of the original hit movie return for another zany round of CGI adventures abroad. Leaving the island of the title by way of a ramshackle penguin-designed aircraft, the quartet of Alex the Lion (voiced by Ben Stiller), Marty the Zebra (Chris Rock), Gloria the Hippo (Jada Pinkett Smith), and Melman the Giraffe (David Schwimmer), along with unlikely friends such as King Julien the Lemur (Sacha Baron Cohen), crash-land on the African savannah, setting in motion a whole new series of exploits, involving Alex’s long-lost parents (Bernie Mac and Sherri Shepherd) and a stranded group of tenacious NYC human tourists.<br><br>Reuniting directors Tom McGrath and Eric Darnell, as well as all the principal cast members of the first film, MADAGASCAR: ESCAPE 2 AFRICA takes full advantage of its sweeping setting, making room for beautifully expansive landscapes amidst the mammal mayhem. While the leads are in fine form, they are ably assisted by series newcomers, including the late Mac, Shepherd, and Alec Baldwin, who plays a scheming rival lion. Though various plotlines get increasingly ridiculous as the movie goes on (see the return of MADAGASCAR’s aggressive Grand Central Station granny), the good-natured main characters and their silly support players (particularly lemurs and penguins) keep ESCAPE 2 AFRICA entertaining no matter how far the story strays off the wildlife reserve.
Waging his one-man war on the world of organized crime, ruthless vigilante-hero Frank Castle sets his sights on overeager mob boss, Billy Russoti. After Russoti is left horribly disfigured by Castle, he sets out for vengeance under his new alias: Jigsaw. With the “Punisher Task Force” hot on his trail and the FBI unable to take Jigsaw in, Frank must stand up to the formidable army that Jigsaw has recruited before more of his evil deeds go unpunished.
In this well-cast drama, the opinion of Thomas Wolfe–you can’t go home again–is called into question. Troy Garity (SUNSHINE) stars as a grown man who decides to return to the place he grew up in after he finds himself in a bad situation with a drug dealer. Past wounds still haunt his relationship with his mother (Oscar winner Sissy Spacek), but the two grow closer even as danger threatens them. LAKE CITY also features the talents of Rebecca Romijn, Dave Matthews, Keith Carradine, Colin Ford, and Drea De Matteo.
This ensemble indie comedy stars MUTUAL APPRECIATION’s Justin Rice and BOYS DON’T CRY’s Brendan Sexton III as two competitive friends, living in the East Village and trying to find artistic success; more time is spent, however, arguing and contending with an array of former lovers and lovers-to-be in this quirky diamond-in-the-rough. Laura Breckenridge (SOUTHERN BELLES) also stars.
In TIMECRIMES, a lazy afternoon spent in a lawn chair turns exciting when a man glimpses a naked woman through his binoculars. But when he goes in search of the beauty, he instead runs into a strange man whose face is wrapped in a bandage, and this encounter brings him into contact with a machine that can transport him through time. This Spanish sci-fi thriller drew raves in its festival run, and the inevitable English-language remake is in the works.